Clients & Experience

Built on lasting relationships with artists, venues and event organizers throughout Central Ontario.

Trusted by the People Behind the Show

CHS Productions works alongside the people responsible for making events happen: venue teams, organizers, artists and production partners. Our role is to be prepared, responsive and dependable so everyone can focus on the show.

Venues & Event Organizers

Clear planning, practical communication and dependable support for venues and organizers from setup through the final load-out.

Artists & Touring Productions

Touring experience shapes a performer-first approach: reliable systems, careful preparation and support that keeps the day moving.

Community & Corporate Events

From community events to corporate gatherings, CHS brings clear planning, professional presentation and dependable support

Tom Cochrane

Roger’s touring, front-of-house and monitor-engineering experience included productions featuring Tom Cochrane. Working in demanding live environments reinforced the importance of thoughtful preparation, clear communication and systems that perform consistently under pressure. Every show requires close coordination between artists, crew, venues and production teams, often on a tight schedule. Those experiences shaped a practical, performer-first approach built around reliable support from soundcheck through the final load-out. That same attention to detail continues to guide CHS Productions on every event.

Colin James

Roger’s touring, front-of-house and monitor-engineering experience included productions featuring Colin James. Working with established touring artists required dependable systems, careful preparation and the ability to respond calmly when conditions changed. Live shows move quickly, and every member of the production team must stay focused on the performers, the venue and the audience. That experience helped shape CHS’s practical, performer-first approach to audio and event support. The goal is always the same: a well-prepared production that allows the artist to focus on the performance.

Delirious?

Roger’s touring, front-of-house and monitor-engineering experience included productions featuring Delirious. Touring productions demand careful preparation, dependable equipment and clear communication between the artist, crew and venue. From the first system check to the final cue of the night, the production team must stay organized and responsive as conditions change. Roger’s experience in these live environments developed a practical understanding of what performers need from the sound system and the people supporting it. That hands-on perspective continues to shape CHS’s approach to reliable, performer-focused event production.

Tommy Hunter

Roger’s touring, front-of-house and monitor-engineering experience included productions featuring Tommy Hunter. Working on established live shows required patience, preparation and a dependable understanding of the artist’s needs on stage. The sound had to remain clear and consistent for the performer, the musicians and the audience, even as venues, schedules and production conditions changed. Close communication with the crew was essential, from the initial setup and line check through soundcheck and the performance itself. That experience strengthened CHS’s practical, performer-first approach to live-event audio and production support.

Rita McNeil

Roger’s touring, front-of-house and monitor-engineering experience included productions featuring Rita McNeil. Her performances demanded a warm, clear and dependable sound that allowed the music and lyrics to connect with the audience. Supporting a production at that level required careful preparation, close attention to the performers and steady communication with the crew. Every venue presented its own acoustic challenges, making system tuning and monitor control especially important before the audience arrived. The experience reinforced the value of calm problem-solving, reliable equipment and a crew that understands what the artist needs. Those lessons continue to shape CHS’s practical approach to creating polished, dependable live-event systems.

The Tea Party

Roger’s touring, front-of-house and monitor-engineering experience included productions featuring The Tea Party. The band’s powerful, layered sound demanded careful system preparation, clear communication and close attention to the balance on stage. Live production at that level requires every part of the audio system to work together, from the monitors used by the performers to the sound reaching the audience. That experience strengthened CHS’s practical approach to building dependable systems for artists, venues and production teams.

Larry Gowan

Roger’s touring, front-of-house and monitor-engineering experience included productions featuring Larry Gowan. Supporting a respected performer required careful preparation, reliable systems and a clear understanding of the pace of a professional live show. Every part of the production—from monitor mixes and stage setup to the sound heard by the audience—had to work smoothly together. That experience reinforced the importance of thoughtful planning, calm problem-solving and dependable technical support. These are the same principles CHS Productions brings to every event today.

Kim Mitchell

Roger’s touring, front-of-house and monitor-engineering experience included productions featuring Kim Mitchell. High-energy live performances demand a sound system that remains clear, powerful and dependable from the first note through the encore. Careful preparation, strong monitor mixes and quick communication between the artist and crew are essential to keeping the show moving. Working in these environments reinforced the value of reliable equipment and calm technical support. Those same principles guide CHS Productions on every live event.